![]() As a consequence, a re-interpretation of the empirical data should consider the specific context of the observed effects: they might be more a result of the introduction of the listener to a redundant stylistic model instead of the application of syntactical rules proper. The main influence of frame and context on musical expectations can be especially demonstrated by means of a harmonic progression frequently used in empirical studies as assumed syntactical violation: the neapolitan sixth chord succeeding the dominant. Collected examples from musical literature of western tonal music across styles and epochs show five main principles of musical structure-building that distinguish musical models from syntactical rules: Constructivity, mappability, contextuality, individuality and contingence. ![]() While sharing some superficial qualities, music and language structures are working differently: language syntax is organized in a hierarchical system, working only context-sensitively (the applicability of syntactical rules is influenced by the context), whereas musical structures, especially harmonic progressions, emerge mainly out of constructive, context-dependent processes (the context is able to establish completely new structural principles). The emergence of local expectations in listeners of music has been occasionally explained by assuming a sort of musical syntax or grammar.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |